German and Dutch Theatre, 1600-1848George W. Brandt, Wiebe Hogendoorn Cambridge University Press, 27 במאי 1993 - 550 עמודים This is the third volume to be published in the series Theatre in Europe. This book makes available for the first time an overview of a significant segment of European theatre history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German- and Dutch-speaking countries. Explanatory passages put these documents into their historical context, and numerous illustrations bring the material even more vividly to life. Also included is the source location for each document and a substantial bibliography. |
תוכן
Introduction | 3 |
I Contractual and organisational documents | 17 |
Playhouses and performance venues | 25 |
Stage presentation | 30 |
Actors and acting | 46 |
75 | 47 |
Audiences | 68 |
Repertoire | 71 |
suggested auditioning procedures 1820 | 311 |
A suggested curriculum for a theatre school 1840 | 312 |
The need for a theatre school questioned 1841 | 316 |
Audiences 254 Changing attitudes towards the theatre 1841 | 317 |
Class distinctions in the Burgtheater 1849 | 318 |
Boxoffice arrangements and season tickets | 319 |
Repertoire dramatic theory and criticism 258 Immermanns theatre in Düsseldorf 18345 | 321 |
The poor state of the German theatre after Goethe and Schiller | 325 |
VII Contractual and organisational documents | 77 |
Playhouses and performance venues | 81 |
Stage presentation | 92 |
78 | 96 |
84 | 102 |
Technical jobs and theatre regulations | 106 |
Actors and acting | 115 |
95 | 121 |
Direction | 167 |
Audiences | 173 |
Repertoire National Theatres dramatic theory and criticism | 188 |
The success of Maria Stuart at the Lauchstädt theatre 3 July | 274 |
XV Contractual and organisational documents | 283 |
Policing of theatres in the nineteenth century | 287 |
Playhouses | 290 |
Stage presentation | 296 |
Wardrobe regulations in the 1840s | 300 |
Actors and acting | 303 |
Ludwig Devrients character as an artist | 304 |
Ludwig Devrient as Franz Moor | 306 |
Ludwig Devrient in the role of Franz Moor | 307 |
A eulogy of Seydelmann 1835 | 309 |
Seydelmanns prop list for President von Walter 1839 | 310 |
The concept of a National Theatre from a nineteenthcentury perspective 1841 | 326 |
Nestroy in prison 1836 | 327 |
Grillparzer on the proper role of fate in tragedy 1817 | 328 |
Hebbel on modern social tragedy 1844 | 329 |
Maria Magdalena at the Burgtheater 8 May 1848 | 331 |
Hebbel at the Burgtheater performance of Maria Magdalena 8 | 332 |
Introduction | 337 |
Period 1 16001664 | 339 |
Contractual and organisational documents | 345 |
Prizes at a Rhetoricians Competition Haarlem 1606 | 346 |
Agreement between Dr Coster and the Governors of the Orphanage 1617 | 349 |
The task of the Theatre Governors and the manner of payment | 350 |
Royal entry in Antwerp 1599 | 363 |
Costume storage and dressers at the Amsterdam Schouwburg | 376 |
Playhouses and performance venues | 412 |
Contractual and organisational documents | 463 |
Theatre venues | 471 |
Actors and acting direction | 482 |
Audiences | 493 |
| 500 | |
The Netherlands | 527 |
Period 2 16651794 | 531 |
מהדורות אחרות - הצג הכל
German and Dutch Theatre, 1600-1848 <span dir=ltr>George W. Brandt</span> אין תצוגה מקדימה זמינה - 2009 |
מונחים וביטויים נפוצים
actors actress Amsterdam Schouwburg appeared artist audience ballet Berlin Brockmann Burgtheater character comedy Corver costumes court curtain deutsche deutschen Die Räuber director drama dress Dutch eighteenth century Ekhof English Comedians Engraving farce favour Frau Neuber French Friedrich Friedrich Ludwig Schröder German German actors German theatre Geschichte gestures Goethe Goethe's Gottsched Götz von Berlichingen Gysbreght van Aemstel Hague Hamburg Hamlet hand Harlequin Heinrich Herr honour Iffland Italian Jahr Jahrhunderts Jan Vos Jelgerhuis Johann Karl Kärntnertortheater Kunst later Leiden Leipzig less Ludwig manner Mannheim moral Munich National Theatre Nederlands Theater Netherlands opera painted performance play playhouse playwright première present Prince Punt rehearsal repertoire Reproduced role Royal Royal National Theatre Salzburg scene Schaubühne Schauspiel Schiller Schönemann Schröder seventeenth Shakespeare speaking spectacle spectators strolling players Stuttgart tableaux vivants theatre history theatrical tragedy translation Vienna Vondel Wallensteins Weimar Wilhelm wings Wolfenbüttel