Music and Gender: Perspectives from the MediterraneanTullia Magrini University of Chicago Press, 15 ביוני 2003 - 371 עמודים Although scholars have long been aware of the crucial roles that gender plays in music, and vice versa, the contributors to this volume are among the first to systematically examine the interactions between the two. This book is also the first to explore the diverse, yet often strikingly similar, musics of the areas bordering the Mediterranean from comparative anthropological perspectives. From Spanish flamenco to Algerian raï, Greek rebetika to Turkish pop music, Sephardi and Berber songs to Egyptian belly dancers, the contributors cover an exceedingly wide range of geographic and musical territories. Individual essays examine musical behavior as representation, assertion, and sometimes transgression of gender identities; compare men's and women's roles in specific musical practices and their historical evolution; and explore how music and gender relate to such issues as ethnicity, nationality, and religion. Anyone studying the musics or cultures of the Mediterranean, or more generally the relations between gender and the arts, will welcome this book. Contributors: Caroline Bithell, Joaquina Labajo, Jane C. Sugarman, Carol Silverman, Goffredo Plastino, Gail Holst-Warhaft, Edwin Seroussi, Marie Virolle, Terry Brint Joseph, Deborah Kapchan, Karin van Nieuwkerk, Svanibor Pettan, Martin Stokes, Philip V. Bohlman |
תוכן
The Construction of Gender in Flamenco 2 | 67 |
Dance and Femininity among 3 | 87 |
Music Dance and Reputation 4 | 119 |
The Female Dervish and Other Shady Ladies of the Rebetika 6 | 169 |
Written Folksong Collections of 7 | 195 |
The Case of Riffian Berber Women 9 | 233 |
The Gender of Musical Celebration in Morocco 10 | 251 |
Female Performers | 267 |
Male Female and Beyond in the Culture and Music of 12 | 287 |
Turkeys Sun of Art Zeki Müren 13 | 307 |
Gender and Music on the Sacred 14 | 329 |
List of Contributors | 351 |
מהדורות אחרות - הצג הכל
Music and Gender: Perspectives from the Mediterranean <span dir=ltr>Tullia Magrini</span> תצוגה מקדימה מוגבלת - 2003 |
Music and Gender: Perspectives from the Mediterranean <span dir=ltr>Tullia Magrini</span> אין תצוגה מקדימה זמינה - 2003 |
Music and Gender: Perspectives from the Mediterranean <span dir=ltr>Tullia Magrini</span> אין תצוגה מקדימה זמינה - 2003 |
מונחים וביטויים נפוצים
Albanian Anthropology Arabesk artists audience Balkan ballad behavior Bellou belly dancers Berber body bouzouki Bülent Ersoy Calabria celebration çengis century chapter čoček context Corsican cultural discourse edited Emily ensembles Esma ethnic Ethnomusicology example expression female performers female singers feminine festival flamenco frame drum gender genre Gioiosa Ionica girls Greek Gypsy hashish historical honor and shame identity instruments Islam Islamist Istanbul Jewish Judeo-Spanish köçeks Kosovo lament line dances Macedonia Magrini male and female Mediterranean Medjugorje men's Moroccan movements musical practices musicians Muslim nashat Nieuwkerk non-Rom Ottoman paghjella Pettan play players Polsi polyphony popular Prespa professional raï rebetika recent recorded religious repertoire repertories Rimitti ritual role Rom women Roma sacred saints Sene sexual shikhat shrines singing Skopje social society solo dance space stereotypes Stevo style sung sworn virgins talava tarantella texts tion traditional Turkey Turkish urban village voice wedding woman young Zeki Müren
הפניות לספר זה
The Study of Ethnomusicology: Thirty-one Issues and Concepts <span dir=ltr>Bruno Nettl</span> תצוגה מקדימה מוגבלת - 2005 |
The Study of Ethnomusicology: Thirty-one Issues and Concepts <span dir=ltr>Bruno Nettl</span> תצוגה מקדימה מוגבלת - 2005 |